This will be wood, concrete, wall paint, floor, carpet or anything else. When you go to the decor agency, they will always start with real color chips, so you can see with your own eyes the real color of the items you will be than buying. Think of the Logo as a home decor problem. In the end it always comes to the client and what color he thinks is the right one, even if it's slightly or more off. Designers make that misteake a lot, and even quite large brands have their Pantone mismatched everyday. So starting with RGB is tricky, as in the begining you can get in trouble picking the colors that is not printable at all. It looks like this : CMYK -> Pantone -> RGB. When he would make his mind, than I would use deck for conversion, keeping in mind that in CMYK there aren't as many colors achieveable. If I would to create logo for a client I would first show him the Pantone chips and let him choose the colors himself. In general when I work with Pantone they are my guide, but I always inform the client that in my specific workflow I use CMYK and I can than use my eyes to check in the Pantone CMYK Bridge if I'm close with my estimation. There are some Pantones who are "richer" in color than their CMYK values.
One should always ask the client having Pantone choosen, if it satisfies the client. Please some one explain this to me, i am very confused
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Thanks for all replies, i really appreciate that, but i did not realize to be honest, i am new at coloring and color philosophy, so i want this :ġ-i have a logo and after designing the logo i am doing the visual identity guidelineĢ-this guideline should include a cmyk, rgb ,hex, and i want to put PANTONE tooģ-in illustrator i can do this as i saw, But no one demonstrate how to do it in affinity tutsĤ-what should i do ? a man gave me the link to convert to pantoneĥ-i do not know from which color format and profile should i convert to PANTONE ?Ħ-I tried to do it with rgb and it is not the same color so it is wrong or that is normal ? Vendors that could not handle spot color (either design firms or printers) did not get that company's business. In print work, the closest CMYK shade to Pantone 206 was absolutely not acceptable. Company letterhead, signage, advertising, tradeshow posters, and badges on the hardware we sold had to include Pantone 206. I used to work for a company whose keynote color was Pantone 206.
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The printers for cardboard box packaging (cereal boxes, tissue boxes, etc) use CMYK plus Pantone spot colors whenever 1) a shade outside the CMYK gamut is required, or 2) a shade inside the gamut needs accurate, full density reproduction.Īnd duotone and tritone prints are most often set up in Pantone spot colors only, not CMYK or RGB.Īnd, falling under the "client requested it" category Old Bruce mentioned, corporate imaging frequently requires specific Pantone spot colors for logos and even things like horizontal rules in printed documents.
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